Dino and Uncle Miltie!
Tuesday, August 22, 2023
Dean Martin Behind the Scenes
Wednesday, August 16, 2023
Tuesday, August 15, 2023
Saturday, August 5, 2023
Thinking about Dean
Monday, July 31, 2023
Friday, July 21, 2023
Wednesday, July 19, 2023
Friday, July 14, 2023
"I gonna go over to da "Gouch!"
"I gonna go over to da "Gouch!" Monday's around the artist entrance at NBC Burbank were hilarious. Our leaders, Rettig and Fanning would assign our week's tasks. They included "Let's Make a Deal, Hollywood Squares, Laugh-in, The Tonight Show, Jack Benny and Bob Hope Specials, Dennis James, PDQ, Lohman and Barkley, The Pat Boone Show, The Roger Miller Show, Chico and the Man, Morning Country, Colgate Comedy Hour (remake) Dom DeLuise,' but the one that we all loved most was the Dean Martin's Sunday taping. Old Dino was with us all week. When we passed each on our way to different studio's, everyone mimicked "The King of Cool!" We'd do our best impression, "I gonna go over to da "Gouch!" I think mine was the best! Let's have a Vino for Dino!
Wednesday, July 12, 2023
Nobody Was A Cooler Cat Than Dean
Mike WilliamsonMy song writing collaborator, Bruce Warden and I wrote this tune as a tribute to Dean. A video is on my YouTube Channel; here's the link Mike: https://www.youtube.com/watch?v=PNx-zfBFMvU Hope you get a chance to watch. It's really a heartfelt tribute to on of my singing heroes.
Sunday, July 9, 2023
Playboy called him “the coolest man who ever lived.” Elvis Presley worshipped him. “He was the coolest dude I’d ever seen, period,” recalled Stevie Van Zandt, adding, “He wasn’t just great at everything he did. To me, he was perfect.”
That man is Dean Martin. SimPlayboy called him “the coolest man who ever lived.” Elvis Presley worshipped him. “He was the coolest dude I’d ever seen, period,” recalled Stevie Van Zandt, adding, “He wasn’t just great at everything he did. To me, he was perfect.”
That man is Dean Martin. Simply put, he was a great singer. The warm sensuality of his voice continues to beguile generations of music fans with a winning style and a touch of mystery.
Born Dino Crocetti in Steubenville, Ohio, his early autobiography is as gritty as that of any hip-hop star. He delivered bootleg liquor, served as a speakeasy croupier and blackjack dealer, worked in a steel mill and briefly ruled the ring as boxing phenom Kid Crochet. Winning his share of bouts earned him little apart from a broken nose, but Dino’s speakeasy experience put him in contact with club owners, resulting in his first singing gigs.
With a fixed nose and a boost from his pals in the nightclub underworld, he became Dean Martin, styling himself after the top male vocalist of the time, Bing Crosby, and met Frank Sinatra in New York.
Martin released his first single, “Which Way Did My Heart Go?” and was first paired with comic Jerry Lewis. The two shared a bill at the 500 Club in Atlantic City, but the night they combined their acts into a combo of manic comedy and debonair music saw the birth of a phenomenon. They were the hottest ticket around and parlayed their onstage success into a string of hit movies and television appearances.
During Martin and Lewis’ decade-long partnership, Dean had such hits as “Memories Are Made of This,” “That’s Amore,” “Powder Your Face With Sunshine,” and “You Belong to Me,” among others, all for the Capitol label. Yet when their partnership dissolved, showbiz pundits predicted Lewis’ star would continue to rise and Martin’s would fizzle.
The singer confounded the skeptics. As a solo act he was wowing crowds in Vegas, impressing critics and audiences in a series of dramatic film roles, scoring on TV with Dean Martin Show specials for NBC, and hitting the charts again with “Return to Me” and “Volare.”
Not soon after, Martin’s affiliation with Frank Sinatra, Sammy Davis, Jr. and the rest of the fabled Rat Pack supplanted his earlier rep. He fueled his image as a boozing playboy in onstage antics with his pals and ring-a-ding ensemble films like Ocean’s Eleven, yet Martin later claimed his cocktail-swilling persona was largely a pose.
Though he left Capitol to sign with Sinatra’s fledgling Reprise label, Martin capped his tenure there with a bang, releasing two classic singles, “Ain’t That a Kick in the Head” and “You’re Nobody ‘Til Somebody Loves You,” showcasing him at the height of his powers.
Even at the height of Beatlemania with the group topping the charts, Martin reasserted himself with typical aplomb knocking the Fab Four from their perch with the buttery anthem “Everybody Loves Somebody.” Several other hits, including “The Door Is Still Open to My Heart,” “I Will,” “Houston” and “Send Me the Pillow You Dream On,” followed during his years at Reprise.
Though he continued to perform, Martin’s visibility was greatest in films and on TV, where he nursed his lush-in-a-tux image with the long-running Dean Martin Variety Show and the hugely successful Dean Martin’s Celebrity Roast.
His effortless vocalizing has become a modern shorthand for cool, as evidenced by the use of his songs in films, television, and ad campaigns. Dino: The Essential Dean Martin, a recent collection of both the Capitol and Reprise eras, sold more briskly than any previous Martin recording, going gold within months and platinum within a year.
Biographer Nick Tosches (Dino: Living High in the Dirty Business of Dreams) described Martin as a classic menefreghista, Italian for “one who does not give a f—.” The term, in Dean Martin’s case, conveys not indifference but a refusal to be beaten down by the world and a determination to greet life with an easy smile, a graceful melody and an aura of unflappable cool.ply put, he was a great singer. The warm sensuality of his voice continues to beguile generations of music fans with a winning style and a touch of mystery.
Born Dino Crocetti in Steubenville, Ohio, his early autobiography is as gritty as that of any hip-hop star. He delivered bootleg liquor, served as a speakeasy croupier and blackjack dealer, worked in a steel mill and briefly ruled the ring as boxing phenom Kid Crochet. Winning his share of bouts earned him little apart from a broken nose, but Dino’s speakeasy experience put him in contact with club owners, resulting in his first singing gigs.
With a fixed nose and a boost from his pals in the nightclub underworld, he became Dean Martin, styling himself after the top male vocalist of the time, Bing Crosby, and met Frank Sinatra in New York.
Martin released his first single, “Which Way Did My Heart Go?” and was first paired with comic Jerry Lewis. The two shared a bill at the 500 Club in Atlantic City, but the night they combined their acts into a combo of manic comedy and debonair music saw the birth of a phenomenon. They were the hottest ticket around and parlayed their onstage success into a string of hit movies and television appearances.
During Martin and Lewis’ decade-long partnership, Dean had such hits as “Memories Are Made of This,” “That’s Amore,” “Powder Your Face With Sunshine,” and “You Belong to Me,” among others, all for the Capitol label. Yet when their partnership dissolved, showbiz pundits predicted Lewis’ star would continue to rise and Martin’s would fizzle.
The singer confounded the skeptics. As a solo act he was wowing crowds in Vegas, impressing critics and audiences in a series of dramatic film roles, scoring on TV with Dean Martin Show specials for NBC, and hitting the charts again with “Return to Me” and “Volare.”
Not soon after, Martin’s affiliation with Frank Sinatra, Sammy Davis, Jr. and the rest of the fabled Rat Pack supplanted his earlier rep. He fueled his image as a boozing playboy in onstage antics with his pals and ring-a-ding ensemble films like Ocean’s Eleven, yet Martin later claimed his cocktail-swilling persona was largely a pose.
Though he left Capitol to sign with Sinatra’s fledgling Reprise label, Martin capped his tenure there with a bang, releasing two classic singles, “Ain’t That a Kick in the Head” and “You’re Nobody ‘Til Somebody Loves You,” showcasing him at the height of his powers.
Even at the height of Beatlemania with the group topping the charts, Martin reasserted himself with typical aplomb knocking the Fab Four from their perch with the buttery anthem “Everybody Loves Somebody.” Several other hits, including “The Door Is Still Open to My Heart,” “I Will,” “Houston” and “Send Me the Pillow You Dream On,” followed during his years at Reprise.
Though he continued to perform, Martin’s visibility was greatest in films and on TV, where he nursed his lush-in-a-tux image with the long-running Dean Martin Variety Show and the hugely successful Dean Martin’s Celebrity Roast.
His effortless vocalizing has become a modern shorthand for cool, as evidenced by the use of his songs in films, television, and ad campaigns. Dino: The Essential Dean Martin, a recent collection of both the Capitol and Reprise eras, sold more briskly than any previous Martin recording, going gold within months and platinum within a year.
Biographer Nick Tosches (Dino: Living High in the Dirty Business of Dreams) described Martin as a classic menefreghista, Italian for “one who does not give a f—.” The term, in Dean Martin’s case, conveys not indifference but a refusal to be beaten down by the world and a determination to greet life with an easy smile, a graceful melody and an aura of unflappable cool.
A Fan writes about Dino.
A DREAM, AN APPARITION, AND FATE
On March 23, 1987, I heard the horrible news. A fighter jet and its pilot, thirty-five-year-old United States Air Force Captain Dean Paul Martin, had disappeared from radar screens during a routine training mission two days earlier. My heart stopped. Not my Dino. It couldn’t be. From that moment on, I listened to all news reports, praying for his safety, feeling his family’s pain.
I’ve been a Dean Martin fan since I was a child in the early ‘60s. Handsome and sophisticated, he lived a swinging show biz life that fascinated me.
By the age of 10 in 1965, my attention had turned to the world of teen idols. Paul McCartney was my favorite, but his allure faded when I discovered a new face in the teen fan magazines I read religiously. One look at one grainy photograph and I was in love with the blond, blue-eyed boy who played bass guitar for a trio new to the music world. They called themselves Dino, Desi, and Billy.
It was quite a surprise when I learned that the boy I was dreaming about, thirteen-year-old Dino, was the son of my earlier hero, Dean. Their unexpected family ties excited me, adding to the mystique of both father and son.
Little girl fantasies filled my mind, evolving into the private, personalized fairy tales that helped me get through a troubled adolescence. Unlike reality, life was perfect in my imaginary world. Dean was king, Dino, my very own Prince Charming, and I was everything he wanted me to be in every scenario I created, each one ending with happily ever after.
Even after I married and started a family of my own, I found myself thinking about Dino every now and then, and he always made me smile. I had kept up with him over the years through magazine articles, and watched closely when he began an acting career. By then, he had dropped the nickname, Dino, in favor of his given name, Dean Paul. He’d always be Dino to me, though, and I clung to a lingering secret desire—the chance to meet him one day, if only to say thank you for some of my fondest childhood memories. Then I lost him before I found him. Dino was killed when his jet crashed. A piece of my heart, a part of my youth died too. The shock of losing my fantasy prince hit hard. I mourned him and missed him as I would an old friend, while time, a husband, and two young daughters keeping me busy softened my grief. I would never forget Dino and hoped for a chance to somehow say a proper goodbye to him.
When I told my husband about my dream, and my seemingly impossible expectations, he laughed. But I knew I was right. I felt it. As expected, we were in L.A. on August twelfth. That morning, at quarter to eight, I left my sleeping family in our hotel room and drove off to visit Dino’s grave. Having learned the location of the cemetery through news reports, I stood alone at his graveside for more than twenty minutes, hoping for further instructions while thinking back to the endless, wondrous hours Dino and I had happily shared in my childhood fantasies and dreams. When I returned to the hotel, I called my family in our room from the lobby. Ready to get started on another day, they promised to come right down. While I waited, I checked the hotel bulletin board. I read about a wedding to be held there that night, and a fund-raising dinner at eight o’clock to benefit St. Jude’s Hospital.
The announcements meant little to me, and as we were driving back to the hotel after another day of sightseeing, my husband had some questions for me.
“What are we doing tonight?” Mark asked. “Where are we supposed to be at eight o’clock?” His tone was sarcastic and I didn’t have an answer. If my dream had really meant something, as I firmly believed it had, I was certain I’d be led to the right place. That’s when it hit me. The information I’d read earlier finally registered in my brain. The fund-raising dinner at our hotel . . . would it be a star-studded affair? I was absentmindedly thinking out loud and my daughters jumped on my words. “What celebrities? Where? When? Will we see them?” When we arrived back at our hotel, my nine-year-old daughter, Lori, flew from the car and raced to the concierge desk, asking questions.
“Several celebrities are expected,” she was told. “They should start arriving in about two hours.” The four of us rushed to our room, showered and changed, and hurried back downstairs to the entrance with our camera and my daughters’ autograph books in hand. Once the guests began arriving around seven o’clock, my daughters kept busy collecting signatures while their dad snapped pictures at a furious pace. We were surrounded by major celebrities, the dreams of a starstruck tourist in Los Angeles fulfilled.
After a half hour or so, I began trembling and glanced at Mark. “If Dean Martin gets out of a car at eight o’clock,” I said breathlessly, “I think you’ll need to take me home in a straitjacket.” My premonition was suddenly frightening me.
“You want to meet Dean Martin?” Susan asked. “I’d love to,” I responded quickly, intrigued by her tone that implied she had reliable information. “Do you know how I could?”
That’s when Susan told me about La Famiglia, an Italian restaurant in Beverly Hills that Mr. Martin frequented, adding he usually arrived there about 7:30. When I checked my watch, my pulses raced. This bit of crucial information had come to me at exactly 8pm, on August twelfth.
When my husband noticed what was happening, he took the camera and pushed me and our younger daughter, Lindsay, into the picture. Overwhelmed by all that happened, I somehow found the courage to ask Mr. Martin if I could give him a kiss after the photo had been snapped. With the same roguish smile I had seen so often on TV and in movies, he bent down and offered his cheek. I didn’t tell him part of that kiss was from Dino, but there was a true warmth in his embrace as his arm encircled me, as if he had sensed it. I wanted to believe he had. I wanted to believe he felt Dino’s presence between us as much as I did.
“Thank you,” I said to him. “We really appreciate your kindness. It was a special pleasure to meet you.” “No,” he muttered softly. “Thank you.”
“Maybe you did do the right thing,” my husband admitted as he wrapped his arm around my shoulder. “The tone of that Thank You certainly sounded like he really appreciated what you said.” I can only hope Mark was right this time. Still, for the rest of my life, I will fondly remember the evening, as well as both father and son, the king and my childhood prince. The only thing that could have made the night any more memorable or thrilling for me would have been having Dino there with us—healthy and alive . . . not just in our hearts.